He covers basics, such as navigating the substance Designer interface, adjusting important preferences, importing meshes and maps, and using the 2D, 3D, and Graph views. Instructor Joel Bradley begins with an overview of a prebuilt Substance graph, demonstrating the strengths and nondestructive workflow of Substance Designer. Learn the essentials of Substance Designer 2018, in this introductory training course. Substance Designer is a powerful, procedurally based tool for creating textures for 3D art and games. Genre: eLearning | Language: English + Sub | Size: 718 MB Then you can use a procedural mask to do anything from altering the color in certain areas to using displacement to make it look like the object has been worn away.MP4 | Video: h264, 1280×720 | Audio: AAC, 48 KHz, 2 Ch | Duration: 4h 3m

īy simply clicking and dragging, we could put a metallic material on your mesh, or make it look like leather. Immediately the low poly mesh will look better, because the ambient occlusion will be putting shadows in cracks where light is naturally occluded, and the normal map will be faking the lighting for bumps and crevices.įrom here, we could draw upon a vast library of materials and textures from Adobe’s online library called Substance Source. With a simple three-click process, Substance Painter can bake the details down to a series of maps that capture nearly all the detail of the original.

You give it a low-resolution mesh that will be used in your scene, and a high-resolution mesh to extract detail from. With Painter, the workflow is pretty straightforward: The software is very mature and Adobe has done a great job making the featureset both comprehensive and reliable. Much like Photoshop, Substance Painter is the industry standard.

Substance 3d texturing